It's everyone's (my) favorite time of year! I'm going to try to maintain my horror write-ups as in years past, but we'll see how many I get to this year. I optimistically stacked the first 31 slots of my Netflix queue with appropriate movies, so the intent is there. I promise.
The Curse of the Werewolf -- Terence Fisher
Thanks to my good friend Howard, who transferred his PAL version to NTSC (who's the real pal, huh?), I was finally able to check out Hammer's The Curse of the Werewolf. Hammer movies hold great appeal to me even though they don't tell particularly compelling stories. There's great style and sets. The actors are all awesome and people you've seen elsewhere dozens of times. The blood is more vibrant than any I've ever seen on screen. The advertising is amazing and they don't shy away from cleavage. What more could you want?
Curse is probably one of the best I've seen. There's unnecessary narration and the prologue is only faintly necessary, but it has a unique and interesting take on werewolves. The best part is the delay in showing the monster. We live in an era where every horror movie needs to have that pre-credit scare where you catch a glimpse of the monster, but Curse takes its time. Very refreshing. Young Oliver Reed is as terrific as older Oliver Reed (though I suspect less drunk) and the wolf makeup is pretty badass. Many people would suggest you dive into Hammer with the Dracula tales starring Christopher Lee and Peter Cushing. I can't say they're wrong (unless it's Dracula A.D. 1972), but I submit Curse of the Werewolf (the only werewolf film Hammer made) as an equally entertaining and representative entrance point (if you can find it).
The Valley of the Gwangi -- Jim O'Connolly
The story if familiar, probably overly so, but one cannot deny the greatness of Ray Harryhausen. The attention to detail is astounding. His creatures are never static to the degree that one wonders how he (and his crew) can keep track of all of the moving parts.
A group that runs a cowboy and indian show finds a tiny horse-like animal thought to be extinct and want to use it in their show but it's stolen by some gypsies who fear a curse if it's taken from the Forbidden Valley. Obviously, the entertainers follow it into the mysterious land only to find dinosaurs roaming the earth. Double obviously, someone gets the bright idea to capture a live one and King Kong it up. Like I said, familiar. But the acting is pretty good. Even the little boy isn't obnoxious which strikes me as a massive victory before we even see the dinosaurs. But the dinosaurs are the show and if they disappoint, then I question your existence as a human. Even with the degrading of the image due to the special effects processing, I can't imagine why anyone would rather see a CG crapfest than this amazing work.
A final note: I love that the curse the gypsies fear is directly caused by their decision to interfere.
OCTOBER!
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